Description
To focus using autofocus with manual override (M/A): Slide the lens focus-mode switch to M/A. If desired, autofocus can be over-ridden by rotating the lens focus ring while the shutter-release button is pressed halfway (or, if the camera is equipped with an AF-ON button, while the AF-ON button is pressed). To refocus using autofocus, press the shutter-release button halfway or press the AF-ON button again. The fast maximum aperture of f/1.8 performs brilliantly under any lighting conditions and delivers beautiful, natural background blur that brings out the best in any subject. Compatible Format(s) – FX, DX, FX in DX Crop Mode, 35mm Film.
About us
Nikon is famous for its cameras and binoculars, but we make a whole range of other products too. For example, did you know we manufacture equipment used to fabricate the semiconductors found in your PC and smartphone? And that we make measuring instruments that detect microscopic defects in electronic components? Nikon technologies contribute to people’s lives in ways you may never have imagined.
John McPhee –
An Extraordinary Performer, a Best Value Buy, Plus Several Alternatives and Some Tips
What a find! This is one of Nikon’s best lenses and yet it is one of its cheapest–a remarkable bargain. In particular, it is an exceptionally sharp lens. It just might become the sharpest that you own. You have to try out this lens to appreciate just how excellent it is. And as you know, the better and larger your camera sensor’s size and resolution, the better performance you will get with the right lens & camera coupling. That is what DxOMark’s benchmark tests are based upon, pairings, and you can see on that site that this lens is very highly ranked. Basically it matches the performance ranking of this Nikkor 85 1.8G’s heavier big brother that is $1,100 more expensive and equally highly regarded 85 mm f1.4
Nikon AF-S FX NIKKOR 85mm f/1.4G Lens with Auto Focus for Nikon DSLR Cameras
. In my tests, although I love that lens too, I did not find what I needed in its performance wide open so why pay more? Some of my colleagues counter that it has better glass and a heavier build that is well worth the difference. It is a heftier lens, solidly built but just not the best choice available for my travel kit or budget. In a blind test I doubt I could distinguish which print came from which of these two Nikkor 85mm lenses.On the other end of the price scale, if you are on a tight budget you can still find deals on older 85D auto focus lenses like these ones presently starting around $300 on Amazon,
Nikon 85mm f/1.8D Auto Focus Nikkor Lens for Nikon Digital SLR Cameras – Fixed
. There is also a faster, well respected, more expensive model, the 85D 1.4 that still has many loyal fans,
Nikon 85mm f/1.4D AF Nikkor Lens for Nikon Digital SLR Cameras
. All of these Nikkor 85 mm lenses offer very good to excellent optical quality. In general, from what I have seen over the years I think most newer lenses have more contrast and better color saturation because of improved internal coatings but the optical quality of the older glass is still superb. The “D” models have advantages of distance scales for DoF and infinity hard stops. As a Nikon user you have a lot of 85mm lenses from which to choose. And if you do not need auto focus Nikon’s even older lenses might interest you and come at a great price. As a general rule, the problem with manual focus today is that digital cameras do not usually offer view screens that are close to being the most appropriate for manual focus and that is compounded by modern lenses’ barrels, except for Zeiss, that no longer make it easy to control critical focus by offering more distance to gradually move the barrel as needed. Yes, I can and do manual focus but it is not remotely as easy as it was to control focus as in the film camera days when cameras used specialized screens and lenses were designed exclusively for manual focus. Otherwise my recommendations would be a bit different.Do I have a list of Cons? Just two. The Nikkor 85G does not have image stabilization. Frankly, that would not be reasonably expected at this price, currently about $476. I have rarely, if ever, had image blur using this lens in the studio or outdoors. In part, that is also explained by using it most of the time between f4 and f5.6 at fast shutter speeds so motion is a less likely factor and the auto focus is dependable. Nonetheless, if you have any problems keeping your camera steady without a tripod, then the lack of VR would not be your best choice. Read on below for an 85 mm lens from Tamron that is also very sharp and it has image stabilization. One problem often reported for this Nikkor that I do see is CA on edges where there is quite high contrast. Thankfully, LR and other programs quickly and easily remove it. An lastly, although not really a con, this lens is not intended to be used for things like landscape photography. It performs best at or near wide open depending upon how much DoF you require. That doesn’t mean you can’t use it. It is still a good lens stopped down but there are simply better lens choices for things like landscape. You can still go ahead and use it in a pinch.Third party alternatives? There are lots. I would be remiss if I did not mention some of the highly regarded 85 mm lenses that other manufacturers offer including my favorites if budget no longer matters. Zeiss offers several, terrific 85 mm lenses both old and new. But for most folks their higher price and lack of auto focus could be deal breakers. Tamron offers a new, highly rated alternative with auto focus for $749 that is distinguished by being the first 85 mm lens with image stabilization (VC),
Tamron AFF016N700 SP 85mm F/1.8 Di VC USD Lens (Black)
. I have not used it but but there are sufficient reviews that agree it is exceptionally sharp, that the VC is effective, but there are also some reports of consistent focus issues. In general, if the user is not at fault, there are two common kinds of trouble. Any manufacturer’s lenses can suffer from focus shift but thankfully, unless the lens is damaged, that can be fine tuned in-camera to correct by the user. The other kind is more complicated and it only affects third party lenses’ in their auto focus compatibility. It is a quite a different focussing issue. All third party lenses can have such problems with Nikon because it does not share its proprietary, secret handshake between camera and lens to ensure the highest level and consistency of auto focus compatibility. Companies have no recourse except to reverse engineer. But care must be taken in doing so to avoid patent infringement. In fact, Nikon successfully sued Sigma for a lot of money on that account c. 2011.Sigma makes my highest recommendation for an 85 mm lens, the recently released, 85 1.4 lens from its renowned Art series,
Sigma 85mm f/1.4 DG HSM Art Lens for Nikon F (321955)
which at this time sells for $1,200. What distinguishes Sigma from competitors so far is that it came up with a good, cheap solution that can correct focus shift and any compatibility problems (so far) with Nikon cameras, using its affordable $59 dock,
Sigma USB Dock for Nikon
. The dock does not work with every Sigma lens but it covers all of the Art series plus some others. I have had excellent results with these lenses. IMO, their 50 1.4 Art lens is the best lens I have ever used in terms of sharpness and resolution although there have been Leica and Zeiss lenses that are also stellar. This Art series is an especially great match for my Nikon D800e. At this moment, the Sigma 85 1.4 Art is the highest rated lens overall at DxOMark. And just like the Sigma 50 1.4 Art, this newly released Sigma 85 1.4 Art lens rivals the performance of the esteemed Zeiss Otus lenses at their respected focal lengths. The Zeiss Otus 85 mm 1.4 lens,
Zeiss Otus 85mm f/1.4 Apo Planar ZF.2 Series Manual Focusing Lens for Nikon DSLR Cameras
is outstanding, manual only, and at $4,400, is by far the most expensive 85mm lens you can buy that fits a Nikon. Zeiss offers other excellent performing 85 mm lenses for less with a Nikon F mount but they all are manual focus only and are still relatively expensive such as the Milvus 85 1.4,
Zeiss Milvus 85mm f/1.4 ZF.2 Lens for Nikon F
. Older, very good Zeiss 85 mm lenses will be less. I admit that I am a fan of Zeiss. Its lenses have always demonstrated a distinctive look with remarkably attractive color rendering and contrast. Just don’t expect to see Zeiss lenses with auto focus for Nikon.Before you buy an 85 mm focal length lens which I will assume is for portraiture, what are the best alternatives? This is a subjective matter. First of all nothing I can recommend is going to be as fine a performer or nearly as inexpensive as this Nikkor 85G AND also be as small and light weight. And of course, if you do primarily want it for portraits, 85 mm has been a favorite focal length for generations. But don’t feel constrained by convention. For example, some people prefer 50mm for portraits. However, if your subject has any feature that is larger than average you might find a 50mm lens exacerbates that. The counter argument would be that knowledgable posing technique and post production can minimize such problems. You will also being working closer to your subject for better or for worse. But if you do prefer a “normal” lens and you especially love bokeh, the Nikkor 58 mm
Nikon AF-S FX NIKKOR 58mm f/1.4G Fixed Zoom Lens with Auto Focus for Nikon DSLR Cameras
is exceptional for portraits. Sometimes it gets a bad rap but I think it is easily misunderstood because of its intended purpose. It is a kind of speciality lens because of the impressive way it makes distinctive transitions moving between what is sharpest to areas that are out of focus. The bokeh is remarkable, as good or better as anything I have seen. But again, that is a subjective matter. I just do not consider it to be an all purpose normal lens although I know people who disagree although with a few caveats.Overall though, for portraiture, I recommend looking within the focal range of 85, 105, and to a lesser extent, 135 mm primes or else weigh the trade offs in using a relatively light weight zoom like the excellent Nikkor 70-200mm f/4 lens
Nikon 70-200mm f/4G ED VR Nikkor Zoom Lens
which costs about $1,400. I offer that range because there is never a single answer for all of us about what best suits our personal needs so keep your options open to begin with. If you like to work in low light obviously you will appreciate the fastest lens models at any focal length. But they will tend to be considerably larger, heavier and more expensive. No flying submarine exists although I come back to our little Nikkor 85G 1.8 lens that IMO just might come closest to offering a compelling case for being the best compromise. And you can’t beat its quality for the price. Nonetheless, there are several alternatives I have mentioned here that deserve your consideration.If feasible, nothing beats a side by side comparison of lenses using tests that are appropriate in covering everything it is you like to do and that you do the most frequently. See how it feels in yours, the balance with your camera as well as its optics. Those are the keys. Cameras come and go but it is solid planning to buy the best lenses you can when you can. It is very old but wise advice. I wish you great success in your hunt.
Diego –
Lente muito boa
Lente Nikon muito boa. Brilho, nitidez.. Vale a compra…
Ricardo Medina –
Calidad de las fotos.
Producto llegó tal cual como dice en la descripción, muy buen lente para tomar fotos retratos. Satisfecho de la compra.
LGO –
Review of the Nikkor 85m f/1.8G AF-S versus other Nikkor 85mm AF lenses
DESCRIPTION OF THE LENS FOR THE NOVICE OR BEGINNERThis lens is light, compact affordable, but produces very impressive results. I highly recommend the use of this lens for portrait, events and for landscape. Despite it being a fixed focal length and not being able to zoom, I highly recommend this lens for beginner Nikon dSLR users who own only the kit zoom lens that came with the camera. This lens allows you to shoot at low light and/or to blur the background of the subject of the photo. This prime lens is a safe, affordable and way to see for yourself how good a prime lens can be as against the kit zoom lens. It also shows what the other Nikon professional prime and professional lenses are capable of should you get serious in this hobby.REVIEW OF THE LENS FOR EXPERIENCED USERSWhat follows is a quick review is based on my use of this lens for around 2-weeks. It is intended for those already familiar with Nikkor’s line of 85mm prime lenses but are wondering how this lens compare with the other Nikkor 85mm autofocusing lenses that Nikon makes. This review is based on my own copy of the Nikkor 85mm f/1.4D, 1.8D, 1.4G and 1.8G.AGAINST THE NIKKOR 85mm f/1.8DThe Nikkor 85mm f/1.8G is bigger than the Nikkor 85mm f/1.8D but is a bit lighter. Unlike the 85mm f/1.8D, this lens comes with a reversible hood which does a good job in protecting and shading the lens. With the hood reversed, the 85mm f/1.8G becomes much more compact than the 85mm f/1.8D with the hood installed. But with the hood installed, the wider lens barrel and the wider and longer hood makes the 85mm f/1.8G significantly bulkier than the 85mm f/1.8D.Reflecting the bigger-sized lens, the 85mm f/1.8G uses a 67mm filter while the 85mm f/1.8D uses a 62mm filter. As the “G” suffix indicates, the 85mm f/1.8G does not have an aperture ring while the 85mm f/1.8D has an aperture ring (see notes below in the 85mm f/1.4D for the significance of this).The older Nikkor 85mm f/1.8D have always been very sharp at the center and at the corners even when used wide-open but the new Nikkor 85mm f/1.8G is stll a bit sharper still. Despite being bigger and wider, the 1.8G has slightly more vignetting wide open than the 1.8D but this quickly reverses in favour of the 1.8G from about f/2.5 onwards. The two areas where the 1.8G has improved significantly over the 1.8D is in having better bokeh and also having less purple fringing when shooting wide-open. The 1.8G focus speed is a bit faster on a D7000 than the 1.8D on the same body. In addition, the 1.8G autofocus is now consistently more precise and significantly quieter.Priced reasonably, this 85mm f/1.8G lens can auto focus on Nikon bodies that do not have a built-in focusing motors (such as the Nikon D3000, D3100, D3200, D5000, D5100, D40, and D60). For those who use this focal length regularly, upgrading from the 1,8D to the 1.8G is easy to justify. For 1st time buyers of the 85mm lens, I highly recommend choosing the 1.8G over the 1.8D given the minimum price difference between these 2 lenses.AGAINST THE NIKKOR 85mm f/1.4DThe Nikkor 85mm f/1.8G is of the same width as the than the Nikkor 85mm f/1.4D but is shorter and also significantly lighter by 200 grams. Unlike the 85mm f/1.4D, the 85mm 1.8G comes with a reversible hood which does a good job in protecting and shading the lens. Unlike the 85mm f/1.4D which uses a 77mm filter, the 85mm f/1.8G uses a 67mm filter.Wide-open at f/1.8 to f/2.5, the new Nikkor 85mm f/1.8G is sharper at the center, borders and at the corners than the 85mm f/1.4D. At f/2.8 and above, the 85mm f/1.4D improves considerably. The bokeh of the 85mm f/1.4D is still better and creamier but the 85mm f/1.8G is no slouch in this regard. There is also less purple fringing on the 1.8G than on the 1.4D used wide-open. Focus on the 85mm f/1.8G is a bit faster than the 85mm f/1.4D on a Nikon DX D7000 but the difference is small and insignificant. Focus precision between these two lenses are about the same but the 85mm f/1.8G focuses much quieter than the 85mm f/1.4D.The primary advantage of the 85mm f/1.4D over the 85mm f/1.8G is primarily in it being 2/3 of a stop faster and it having an aperture ring. The 2/3 stop advantage is significant for still and video while the aperture ring is very helpful for use in video. The aperture ring is also particularly helpful in still photography when using this lens with an adapter on m4/3 and NEX bodies as it allows the use of precise, easily set and repeatable aperture settings. This is the reason why I still have the Nikkor 85mm 1.4D and 1.8D lenses even after getting the 2 new Nikkor 85mm 1.4G and 1.8G lenses.For portrait photography where the subject is framed at or near the center, I would likely still opt for the 85mm f/1.4D but for anything else where the 2/3 stop advantage is not used, I would likely choose the 85mm 1.8G.AGAINST THE NIKKOR 85mm f/1.4GIn terms of size, the 85mm f/1.4G is significantly bigger and heavier than the 85mm f/1.8G. Both lenses comes with reversible hood. The 85mm f/1.4G uses a 77mm filter while the 85mm f/1.8G uses a 67mm filter.In terms of performance, the Nikkor 85mm f/1.4G is better than the 85mm f/1.8G in all respects. The 1.4G is a bit sharper, has better bokeh, less vignetting at the same aperture setting, even less purple fringing, better flare resistance, better micro-contrast and richer color. It’s very tough to compete against the 85mm f/1.4G when it comes to performance. Yet while the 85mm f/1.8G comes up a bit short, it comes in at a close second. At almost 3x the cost, it is not surprising that the 1.4G is better than the 1.8G. Whether one should get 1.4G or the 1.8G will depend on how much one is willing to pay more for the small performance difference. Consideration should also be given to the bigger size and weight of the 1.4G vs the 1.8G.For someone who already has a Nikkor 85mm f/1.4G, would it still make sense to get a Nikkor 85mm f/1.8G? The answer is yes if one needs a smaller, lighter and more compact 85mm. I use this lens with my smaller Nikon DX bodies as well as with my Sony NEX and Panasonic GH2. The 1.8G smaller size and lighter weight would also be a very good match for the rumored upcoming Nikon full frame in a small body, the D600.
Pascual lopez Alba –
Bra varan snabb leverans och kommunikation ok
Dem har varit snäll
Yolanda Cohen –
Great Lens
Great for portraiture.
Marisol –
De mis lentes favoritos
Calidad a un buen precio, ya es de mis lentes favoritos , tiene una nitidez excelente , lo llevo a todas partes , lo recomiendo demasiado.
allwinkutty –
Best lens
Images captured in this are so beautiful and crisp. My first prime lens.Remember it’s 85mm and it’s not the one for landscape or group photography! But one of the best for portrait, night shoot, food, baby, pets photography.
GERALD WILLIAMS –
Does what it should do
Portrait photography brilliant lens beautiful bokeh.
SUNSHINE –
VERY NICE PORTRIAT LENS
THIS IS A VERY NICE PORTRIAT LENS. THIS IS 1.8G NOT 1.4G BUT IT IS CHEAPER THAN 1.4G AT AFFORDABLE PRICE. IF YOU ARE USING A MIRRORLESS CAMERA YOU CAN STILL USE THIS LENS WITH A ADAPTER BUT IF YOU CAN SPEND EXTRA MONEY THAN BUY A Z SERIES LENS OVER THIS ONE. THIS DOES NOT HAVE NANO CRYSTAL COATING OR ED LELMENTS BUT THIS IS AN OLD VERSION LENS A BUDGET LENS WHICH DOES THE JOB OF GETTING NICE PORTRIAT PHOTOS. IF I WAS A PROFESSIONAL PHOTOGRAPHER THAN DEFINATELY I WILL GO FOR 1.8 Z SERIES LENS OR 1.4 F SERIES LENS BUT I AM AN OCCATIONAL PHOTOGRAPHER SO THIS ONE WORKS FOR MY BUDGET. IT IS A NICE LIGHT WEIGHT LENS WHICH DOES NOT BREAK THE BANK.