Description
BEHRINGER XENYX X2442USB
Premium 24-Input 4/2-Bus Mixer with XENYX Mic Preamps Compressors, British EQs, 24-Bit Multi-FX Processor and USB/Audio Interface
- Premium ultra-low noise, high headroom analog mixer
- 10 state-of-the-art, phantom-powered XENYX Mic Preamps comparable to stand-alone boutique preamps
- 8 studio-grade compressors with super-easy “one-knob” functionality and control LED for professional vocal and instrumental sound
- Neo-classic “British” 3-band EQs with semi-parametric mid band for warm and musical sound
- Studio-grade FX processor with 16 editable presets including reverb, chorus, flanger, delay, pitch shifter, multi-effects, Tap function and storable user parameter settings
- Built-in stereo USB/Audio Interface to connect directly to your computer. Free audio recording, editing and podcasting software plus 150 instrument/effect plug-ins and ultra-low latency driver downloadable at http://www.behringer.com
- Channel inserts and direct outputs on each mono channel plus main mix inserts for flexible connection of outboard equipment
- 4 aux sends per channel: 2 pre/post fader switchable for monitoring/FX applications, 2 post fader (for internal FX or as external send)
- Clip LEDs, mute, main mix and subgroup routing switches, solo and PFL functions on all channels
- 4 subgroups with separate outputs for added routing flexibility; 4 multi-functional stereo aux returns with flexible routing
- Balanced main mix outputs with ¼” jack and gold-plated XLR connectors, separate control room, headphones and stereo rec outputs
- Control room/phones outputs with multi-input source matrix; rec inputs assignable to main mix or control room/phones outputs
- Long-wearing 60-mm logarithmic-taper faders and sealed rotary controls
- “Planet Earth” switching power supply for maximum flexibility (100 – 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
- High-quality components and exceptionally rugged construction ensure long life
- Conceived and designed by BEHRINGER Germany
Sonically Superior Mic Preamps
All XENYX mixers have one thing in common – great-sounding, high headroom XENYX mic preamps. These state-of-the-art mic pres represent a major step in the evolution of audio technology – and they can easily hold their own, even when compared to the most expensive stand-alone mic preamps. XENYX preamps offer a staggering 130 dB of dynamic range, with a bandwidth that extends from below 10 Hz to well above 200 kHz. Armed with these outstanding mic preamps, XENYX mixers provide such transparent, crystal-clear performance you just might think someone upgraded your mics while you weren’t looking.
Sublimely Musical British EQ
The British consoles of the 1960s and ’70s changed the sound of rock and roll – without them the British Invasion might not have happened. Those legendary mixing desks soon became the envy of engineers and producers all over the world. The channel EQ on our XENYX mixers is based on that very same circuitry, allowing you to imbue signals with incredible warmth and detailed musical character. Even when applied generously, these equalizers exhibit sweet forgiveness and superb audio quality.
One-Knob Compression
Ask professional sound engineers what their favorite piece of external processing gear is and the majority response will be virtually unanimous – dynamic compression. What is compression? We’re glad you asked. Compression essentially limits the dynamic range of a signal, lowering the level of loud sounds and turning up softer sounds, to achieve sonic balance. But applying compression is a delicate art that many novice, and even intermediate, sound techs have great difficulty mastering. Our “one-knob” compression is available on all mono channels and is easy to operate, even for entry-level users. With this one knob, you can easily dial in the perfect amount of compression for instruments and vocals, creating powerful mixes with punch and clarity. This is indeed a rare feature for products in this class – but standard on all XENYX USB mixers.
Effective FX
All XENYX USB Series mixers (except the 1204USB) feature our new 24-bit dual engine FX processor, with 16 editable, studio-grade presets including reverb, chorus, flanger, delay, pitch shifter and multi-effects. Complete with a highly accurate input meter, these effects can be altered to your personal taste via the Parameter control. Time-based functions can be entered manually by pressing the Tap button in tempo with the music.
Recording Bliss
There was a time when the recording process called for lots and lots of expensive gear, which meant the average musician had to buy time at a recording studio – and that time was pricey indeed. But modern technology has put personal recording well within the reach of virtually anyone with access to a computer. How do you get all that music flying around your brain into your computer? That’s where XENYX USB mixers come in. Thanks to the built-in, bi-directional stereo USB audio interface, you can connect any of these mixers directly to your PC or Mac computer via a single USB cable. Now any signal source you connect to the mixer can be recorded directly to your hard drive. Which brings us to software…
Free Would Be Nice!
Because you’ll want to take full advantage of the XENYX USB Series mixers’ recording and podcasting potential, we’ve thrown in a massive software package that includes Audacity (the most popular open source audio editor), Podifier, Juice, Podnova and Golden Ear (a great selection of podcasting software). You’re ready to go live on your PC or Mac computer right out of the box! You also get more than 100 virtual instruments and 50 FX plug-ins, turning your computer into a complete home-based or mobile recording studio from input to output.
Value
No matter what your audio mixing needs are, BEHRINGER USB Series mixers provide the performance and features that can take your talent to the next level, at a price that is sure to amaze you. Try one on today – we have one available in your size!





Athena –
Definitely a good buy entry level for home studio
I have owned this Behringer XENYX X2442USB mixer for about 3 weeks now. I think, for the price, it is definitely a steal! I use it to record my drum practice at home. I use Shure PG mics, el-cheapo Radio Shack vocal mics, and I also connect my iPod and a CD player to it. My usage is not very sound-quality critical and does not involve travel/gigging either. Also, this is my first experience with professional mixers so my knowledge and experience is limited. First, built quality of this mixer is OK for my usage, but I would not describe it as rugged at all. The chasis (except for side panels) is entirely metal but of a light gage, and with plastic knobs sticking out from everywhere in the control surface I would think this thing would have to be handled with a lot of care if it were to be used for live gigs where constant travel is required. The side panels are made of soft-touch plastic and can be easily removed and replaced with included rack mount brackets which is how I set it up. This works just fine on a standard 19″ rack. Functionally, everything works just fine and the sound is clean and warm. I should demystify the descriptons you see in advertising: this mixer has 10 mic ins, 8 of them have the full complement compressor and EQ functions, the remaining 2 (channels 9-10 and 11-12) are in a shared configuration of mic in OR stereo line in, do not offer compression, and the EQ has two fixed-frequency mid-range level controls instead of a parametric adjustable frequency/adjustable level controls. The remaining channels (13-14 and 15-16) are stereo line-level only. I have not found any hum or hissing on the headphone outs, main outs, control outs, RCA 2 TRK outs, nor USB digital out. The XLR mic ins, line TRS ins, RCA 2 TRK ins, and USB digital ins (the USB interface is bi-directional and stereo) work perfectly. I have not tested any of the inserts, direct outs, sub outs, or aux ins/outs yet. One feature which is only hinted to in the manual which initially confused me but later found to be good, is that the RCA 2 TRK outs will not output any signal that comes in from the RCA 2 TRK ins (event if 2-TRK/USB to MAIN toggle is engaged), and signals sent to the USB digital interface will return to the mixer (if echoed back by the recorder or whatever is connected to the mixer’s USB interface) but can not be sent back via USB again. This is all to prevent a feedback loop. Also, the design of the unit seems pretty well thought out: I installed a goose neck light on the BNC light connector which turned out to be a defective light and the mixer heated up somewhat and shut itself down automatically after a while, so the mixer appears to have some protection functionality embedded that is not advertized. This happened a couple times and the mixer came out unharmed every time. A disadvantage I have encountered is that most of the push down toggle switches do not have an associated light to indicate they are engaged (only the solo, mute, and compressor switches/knobs do.) You have to visually determine this by looking at the switch or by pressing the button to figure out if it is already depressed or not, which is not always easy/convenient. I guess you can’t have everything at this price level 🙂 The indicator lights for the compressor only flicker on/off when actual compression/limiting of peaks is taking place, so even when engaged, the light will not come on if the input signal is low level. This is not clear on the manual either. The integrated FX box works fine, however, you can not assign different effects to one channel vs another, you can only select one effect and apply it to zero, one or more of any of the input channels. Also, the main mix via any of the main analog outs and the USB interface is only one stereo channel. To output multiple stereo/mono channels simultaneously you have to use the direct outs (and set mix levels externally) and/or the sub outs. The USB interface does not support multi-channel output/input. The USB interface worked quite nicely with my iPad using the iPad USB adaptor that comes with the iPad camera connection kit and the Sudio Mini XL app which I use as an 8-track (non-simultaneous) digital recorder. All in all, I think I got an incredible amount of functionality and flexibility for my money and I am very satisfied with the results. I am still experimenting with the X2442USB but this has been my experience so far.
Marcel Topping –
Excellent rapport qualité prix
Belle versatilité pour un mini studio, sans trop de complexité d’utilisation.
Tauni n Baillif –
Idea for small studios and small live bands
Product works well. The software downloads are garbage though. The DAW from the website is Audacity which has been free to download on the internet since 2008. Sound recording quality via USB is ok. Not the best but better than most mixers with similar features and price. Suitable for beginners, small rec studios,podcasting and small live band performance.
ERALDO RAMOS JR –
Behringer X2242USB
For those that are familiar with Behringer- the X series mixers, this is a top of the line fantastic audio mixer. I took a moment to submix other mixers into this main one and it is a beaut! I have 3 sub mixers of keys & drums going to this and it’s incredible how it responds. Direct connection to use as an audio interface took me by surprise as its ultra loud and I did not expect myself utilizing an external audio interface just to control the volume but it’s alright. There is only L/R as an audio interface. I would recommend a UMC-404HD and you’ll get more versatility that way. Thank you Behringer for a great mixer.
World cup 2023 real –
Great machine
The functions are quite more than the price, I don’t regret buying it.
Chris G. Recoskie –
There is not a lot bad you can say about this mixer
There is not a lot bad you can say about this mixer. It has pretty much all the bells and whistles you could ask for, has tons of inputs, multiple aux sends, and direct outputs for just about everything.I use this mixer for my podcast, and I am using the aux sends to do mix-minus setups which I output to PCs and iOS devices running Skype via the microphone jack on the PC and iOS devices. This way with each Skype caller on their own mix, I can take the output of those individual Skype instance and run them as inputs into the mixer. I send both the stereo main mix to my Zoom H6 recorder and also the direct outputs for each input to the recorder as well on their own tracks, so I have both a pre-canned mix for my convenience and also individual track recordings in case I need to tweak something specific (a caller forgets to use the mute button, for example). I run a sub mix containing all inputs except my own voice, and send that to the headphone monitor, so I don’t have to deal with hearing my own voice.The only minor negatives about this mixer are: 1) You can’t configure input levels for the USB input (you must adjust them with the output level on the device that is using the mixer as an output device) 2) You can only route the main mix to the USB output. It would be nice if you could configure it to take one of the aux sends or one of the sub mixes. 3) Level indicators seem to be set for a really high output level. Even though my recorder is set to handle line level outputs, by the time the level indicators on the mixer register much of anything, the levels on the recorder are pinned to the max and clipping. Not ideal, but not difficult to deal with as I just go by the level indicators on the recorder instead.Those are only minor complaints though. Really this mixer can do just about anything you would want a mixer to do.
AJG –
Super value. Everything you need why pay more?
I think this is a great mixer. It’s my second Behringer mixer. My previous one, a UB1204FX was used almost daily for 10 years. It’s still going strong, but is just a bit too small for the needs of our band. I use the X2442USB for recording and as a live desk for my band. It’s a great design and offers all that I need from a mixer. The thing with gear like Behringer is that it has to be judged in the context of it’s target application. Affordable stuff like this just didn’t exist a few years ago, so for gigs we would all be plugged into some massive 4 channel Peavey or HH PA heads which might have a spring reverb if you were lucky. Home recording was on a cassette porta-studio if you could afford it. Now with gear like this we can get pro-quality functional gear at a very affordable price. I am an ex sound engineer who spent many years in recording studios in the 80’s and 90’s. In those days only huge SSL desks had compressors on every channel, and many of the ‘pro’ digital reverbs we had didn’t sound as good as the effects on the X2442USB. The effects are a little noisy, but quite useable if driven hard enough, more than good enough for live applications. I really like the compressors, not much control, but the settings are a good compromise of attack and compression ratio. EQ is functional and adequate. I tend to use plug-ins on my DAW for recording anyway. Direct channel outs are a great addition, and 4 aux sends is a luxury. It’s just a really well designed desk which covers everything I need t for. Sure it’s no Neve, it’s not as quiet and has more crosstalk than the real pro stuff, but really, in the pubs and clubs we play, or on the MP3 recordings we make streamed online, i defy anyone to tell the difference.
Javier –
La Mesa está muy bien, pero venía abierta. No es nueva
No comprar no son equipos nuevos y el precio lo tienes igual en tiendas de música y nuevas.Sobre la mesa, calidad precio está muy bien.El problema, de ahí una sola estrella, es un producto usado o de exposición. Los precintos de la caja venían quitados, la bolsa d los cables rota, y la bolsa de protección de la mesa también rota y pegada con papel celo , todo evidencia de que ha sido abierta antes.El aparato no trae rasguños ni signos de uso a simple vista, pero por el estado de las bolsas y la caja no cabe duda de que ha sido abierta y usado los cables de corriente.Me parece un claro fraude cuando la venden como nueva, al menos deberían indicar que es un producto devuelto, usado y abierto. Un caso así no es un error, evidentemente hay intención de engañar al venderlo como nuevo.Una pena que Amazon actúe de esta forma.Editado. Acabo de solicitar la devolución. Efectivamente era usada y con una avería. Ayer la probé por primera vez y sorpresa, uno de los canales falla se va y viene el sonido. Espero que me envíen una nueva y sin fallas.Muy decepcionado, esto no sucede por casualidad, es evidente que quien la vende y envía sabe que está usada y la envía y cobra como nueva (¿fraude?)Editado de nuevo. He efectuado el cambio por otra y también venía abierta, con las bolsas de protección rotas y pegadas con celo. De momento parece que funciona todas las entradas, me falta probar todas las salidas.No comprar no son equipos nuevos y el precio lo tienes igual en tiendas de música y nuevas.
N. S. Dr. –
Not suitable for running monitors & other feeds from FOH due to unbalanced outputs
This board packs a lot of feature for the money. It’s not the quietest board, but it’s ok. The main issue that caused me to return it is that the aux, subgroup, and control room outputs are unbalanced. This means the likelihood of pickup up noise when feeding monitors and fills is very high. This makes the board unsuitable for many live sound situations – especially if you plan on mixing monitors from front of house and sending those mixes back through a 100′ return snake. It confounds me they wouldn’t spend a few cents more per output to make them all pseudo/impedance balanced. I would have gladly paid a few dollars more to have that basic feature which any decent mixer should have in ‘modern times’.
Nina Marazzita –
Molto professionale
È ottimo qualità e prezzo molto professionale.