Meyer Sound launches Tigra line array and 1800‑LFC sub

Introduction

Table of Contents

Meyer Sound has unveiled a new large-format sound reinforcement platform built around its Tigra line array and companion 1800‑LFC low-frequency control element. Aimed at high-capacity live events, the system is designed for arenas, stadiums, festivals and large-scale tours that require high output, controlled coverage and predictable deployment in both touring and fixed installations.

Background or industry context

As live events return at scale, demand has intensified for sound systems that can cover bigger audiences while remaining efficient to transport, deploy and manage. For audio suppliers working in concerts, sports and large corporate events, line array systems must now balance output and clarity with rigging speed, truck space, energy efficiency and tight integration with prediction and monitoring software.

Manufacturers in the premium touring segment have been refreshing their flagship arrays to respond to these pressures, incorporating higher power density, more precise waveguides and improved DSP control. Meyer Sound has been active in this space with its Leo Family systems and the Panther line array, as well as its LFC low-frequency control elements. The introduction of Tigra and the 1800‑LFC indicates an extension of this portfolio aimed squarely at the largest venues and outdoor productions, where throw distance, pattern control and system consistency are critical.

Key developments or announcement

The new platform consists of the Tigra line array module and the 1800‑LFC subwoofer, engineered to operate as an integrated system for high-SPL, long-throw applications.

Tigra line array module: Tigra is a large-format, self-powered line array enclosure intended for primary main hangs in arenas, stadiums and main festival stages. The cabinet is designed to provide high acoustic output with tightly controlled directivity to maintain intelligibility over long distances while limiting spill onto reflective surfaces or noise-sensitive areas.
1800‑LFC low-frequency control element: The 1800‑LFC is the new low-frequency component matched to Tigra, designed to extend bandwidth and maintain consistent response down to sub-bass frequencies. It continues Meyer Sound’s approach of treating subwoofers as controllable low-frequency elements rather than simple bass reinforcement, allowing more precise shaping of LF coverage across large audience areas.

Both products follow Meyer Sound’s self-powered architecture, integrating amplification and processing within each enclosure. This reduces reliance on external amplifier racks, simplifies cabling and can streamline deployment for touring crews and integrators. The new products are expected to interoperate with the company’s existing digital ecosystem, including prediction and monitoring tools, though full technical specifications and integration details are being rolled out through Meyer Sound’s official channels.

The company positions Tigra and the 1800‑LFC as suitable for a range of large-format applications, including touring productions, permanent arena and stadium installs, and temporary deployments for festivals and outdoor events. Their mechanical design and rigging hardware are targeted at fast, repeatable setup and safe deployment in complex hangs, such as combined main arrays with flown low-frequency elements and ground-stacked subwoofer configurations.

Industry impact

The launch of Tigra and the 1800‑LFC strengthens Meyer Sound’s offering in the top tier of live sound reinforcement, where system choices are often driven by predictable performance, global support and interoperability with existing inventories. For rental houses and production companies that already deploy Meyer Sound platforms, the new system provides an additional option for the largest or most demanding projects, and may offer a more scalable path when moving between arena, stadium and festival formats.

For the wider market, the move adds competitive pressure in a segment where several major manufacturers are introducing or updating large-format arrays tailored for high SPL and extended coverage. The continued emphasis on integrated power and processing, precise pattern control and software-driven system design reflects broader trends in event technology: more data-informed configuration, reduced on-site trial-and-error, and increased focus on environmental noise management.

Meyer Sound’s ongoing development of large-format systems also reinforces the role of premium audio as a differentiator for venues and events. As audiences and promoters expect concert-level experiences in more contexts—from sports presentations to large-scale corporate and experiential activations—investment in high-performance line arrays is becoming a strategic decision rather than a purely technical one.

Why this matters for event professionals and technology providers

For event professionals, technical directors and production companies, the introduction of Tigra and the 1800‑LFC has several practical implications:

Scalability for large venues: The system is aimed at environments where long-throw coverage and high SPL are essential, such as stadium tours, large indoor arenas and main festival stages. This gives planners and producers another option when specifying audio for major events where coverage gaps, inconsistent tonal balance or insufficient headroom can compromise the experience.
Consistency across deployments: With integrated amplification and processing, Meyer Sound maintains its focus on system consistency from venue to venue. For touring production managers, the ability to predict performance using manufacturer-supported design tools and then deploy with minimal on-site tuning can reduce setup time and technical risk.
Inventory and ROI considerations: Rental and production partners that already own Meyer Sound systems may see Tigra and the 1800‑LFC as a way to expand capacity at the top of their portfolio rather than investing in a completely separate platform. This can simplify training, maintenance and logistics, potentially improving utilisation rates across different event scales.
Integration with wider event technology: As audio increasingly interfaces with networked control, show control systems and broadcast workflows, large-format arrays must operate within broader technical infrastructures. A new flagship platform signals Meyer Sound’s intention to keep large-venue sound aligned with contemporary AV and IT practices, which is relevant for integrators working on multi-year venue upgrades or hybrid event environments.

For venue owners and operators, the arrival of another large-format option may influence long-term investment planning. High-capacity arenas and stadiums competing for tours, sports events and large ceremonies often view premium sound reinforcement as a factor in securing bookings and meeting promoter requirements.

Conclusion

Meyer Sound’s introduction of the Tigra line array and 1800‑LFC subwoofer expands the tools available for large-format live sound, focusing on high output, controlled coverage and integrated processing for major venues and tours. While detailed performance data and case studies will emerge as deployments begin, the platform underlines the continued evolution of audio technology for large-scale events.

For event technology professionals, the development illustrates how manufacturers are responding to the demands of increasingly complex productions: systems that are powerful yet predictable, scalable yet efficient to move and deploy. As arenas, stadiums and festival sites continue to push production values higher, solutions like Tigra and the 1800‑LFC will shape how large audiences experience sound at the biggest live events.